Midnight Wurli
Introduction
Midnight Wurli is an instrument preset / sample library for Decent Sampler. If you're new to Decent Sampler, I recommend checking out this guide first.
Included formats
- Decent Sampler
Description
Midnight Wurli is a sampled Wurlitzer 200A electric piano instrument that focuses on capturing the character of the instrument played softly at low volume. It uses two signal sources: the direct line out from the Wurlitzer and a contact microphone attached to the instrument. The contact microphone captures the mechanical noises, such as key clicks, release sounds, and pedal movements which results in a more intimate, close-up sound.
The instrument includes both tonal samples and mechanical noise samples. It also features built-in effects including tremolo, tape echo, room reverb, and multiple amplifier impulse responses. Each key includes velocity-based round robins to enhance realism.
Instrument presets
Midnight Wurli
Midnight Wurli
- Full version of the instrument with 36 samples per key.
- 18 note-on samples and 18 release samples per key.
- Round robin samples per velocity group to avoid repetition.
- Includes mechanical noises (release and damper).
- Includes all six impulse responses: four amplifiers, one echo, and one room reverb.
- 28 damper pedal samples.
Midnight Wurli (Lite)
Midnight Wurli (Lite)
- A lightweight version of the instrument designed for lower CPU and RAM usage.
- Contains a single sample per velocity group for each key (no round robin).
- Impulse responses (amplifiers, echo, room) are disabled.
- Still includes basic mechanical sounds but with simplified behavior.
User interface
Proximity
Mix controls for proximity
- Crossfades between the direct line out and contact microphone audio.
- Turning the knob toward "Close" emphasizes the contact mic (mechanical sounds).
- Turning toward "Distant" emphasizes the clean line out signal.
- Affects the balance of both tonal and mechanical elements.
You can hear how the proximity control affects the tone in this video:
Mechanics
Volume controls for the mechanical noise
- Release
- Controls the volume of the key release noise.
- The audio is affected by the current setting of the Proximity knob.
- Represents the subtle mechanical sound of a key returning after being released.
- Damper
- Controls the volume of the damper (sustain pedal) noise.
- Includes pedal down and pedal up samples.
- Also influenced by the Proximity setting.
Tremolo
Controls for the tremolo depth
- Controls the depth of the built-in tremolo effect, which is named vibrato on the original Wurlitzer 200A.
- Tremolo is applied after sample playback and before amplifier, tape echo and room reverb, emulating the original instrument’s modulation circuit.
Amplifier
Amplifier select list
- Selects one of five amplifier settings:
- Direct (bypasses all amp simulation)
- American (Fender Twin Reverb)
- British (Vox AC15H1TV)
- Japanese (Roland JC-120 Jazz Chorus)
- Norwegian (Tandberg Model 2 T)
- All amplifier impulse responses were recorded with a Shure SM57 and a Royer R-121 microphone.
Echo
Mix controls for tape echo
- Blends in a tape echo impulse response with a slapback delay characteristic.
- Positioned before the amplifier in the signal chain.
Room
Mix controls for room reverb
- Adds stereo room reverb via an impulse response.
- Positioned after the amplifier in the signal chain.
Volume
Controls for master volume
- Master volume control for the entire instrument.
- Applied after all effects in the signal path.